In the spirit of Alexander Calder’s kinship with France, the Calder Foundation has asked Bernardaud to craft reproductions on porcelain of Calder mobiles from the 1940s and 1950s.
The selection of these masterpieces of spatial complexity charge the surrounding space with infinite possibilities. With their black and red silhouettes vertically arranged and intensified by shapes with cut outs, these mobiles exude a radiant splendor that, in the manner of Bernardaud’s storied craftsmanship, continues to cultivate inspiration among sophisticates worldwide.
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